Fantasy-Color Freehand Research Institute
核心研究路径（Core Research Paths)
Master Ran possessed a deep understanding of landscape painting. He had transformed into a carving brush to depict the mind’s imagery. The line in Chinese painting is an innate genetic characteristic. Lines coexisting in the world also share many points of similarity. France’s Ingres, Russia’s Nikolai Fechin,
Over two millennia, Chinese painting has continuously changed and developed. Chinese feudal society experienced several relatively open periods. For instance, the civilizations of the Han and Tang dynasties were directly influenced by India, Afghanistan, and Central Asia. During the Han and Tang,
The teaching “Learn from Nature” anchors Chinese landscape painting in the philosophy of representing “Creation.” For Mu Ran Gong, “
Abstract: This essay focuses on Mu Ran Gong’s core methodology of “Overlaying Historical Timelines.”
Abstract: This essay delves into the “backstage” of Mu Ran Gong’s creative process, using his “Experimental Studies” as a guide to visually unveil the generative process of the “Fantasy-Color Freehand”
对话场 (Symposium)
灵魂岛 (Isle of Soul)
I am striving to create a new mode of pictorial language. In Eastern culture, the philosophical grounding of ink wash painting stems from the ancient Chinese people’s distinct interpretation of nature.
I am striving to create a new mode of pictorial language. The philosophical foundation of Eastern ink wash painting originates from the ancients' distinct interpretation of nature—different from Western realism—yet I have discovered that the common ground between Eastern and Western art lies in their shared pursuit of the beauty of artistic conception.
